The Dreaded Synopsis continues...A light to the dark side?

     In my last post, I shared my reluctance to starting a synopsis. I was finding it particularly difficult to divulge the secret plot twists of my story upfront and personal like a synopsis requires. Now that I know it is mandatory, and in my own best interest as a hopeful writer, I set aside some time today to take on this task.
    
     I spent a good portion of my evening facing the daunting task of writing a synopsis for my not quite completed novel Going for Gold. Hopefully I won't lose any points as it is already a month after I was lucky enough to win a critique of the beginning of my book, it's just prior to that author requesting one along with the start of my story, the idea of a synopsis had yet to cross my mind. It has been longer than I care to admit since I have last had to attempt a synopsis and as I am quickly learning, I might as well get used to writing these if I want to become a published author.

     To make sure I was at least on the beaten path, I searched for tips for writing a synopsis online. While there are more articles and examples then I can ever read, I kept my search brief to avoid wasting more time. After sifting through examples and templates that didn't quite fit my story line, I felt relieved to find a template for romance writers.  I'm sure that through practice, I will develop something that comes more naturally for me, but lack that experience with synopsis writing and found I could easily follow Katie Ganshert's template here: http://katieganshert.com/katie-ganshert/a-synopsis-template/ I began to fill in the blanks with tidbits about my story, and was very surprise at how suddenly I discovered a few areas that need some more depth worked into them. Currently, there are some points I have skimmed over, perhaps under-emphasize, but working through my synopsis, I learned that they need to be revisited.

     Maybe the synopsis is not such a bad thing after all. Anything that comes with a highlighter to areas of improvement in my work is never a bad thing in my opinion. Who knows, maybe my new found appreciation for synopses will turn my final draft into an agent's pick!
Wouldn't that just be the icing on the cake? Wish me luck!

Blissful & Curs-ed Distractions

     Isn't it always the way.

So near to the end of a project or task, completing it would be so fulfilling, that sense of accomplishment.

     And yet, random distractions always sneak their way in, catch your attention and pull you away from the task at hand. This is a repetitive cycle for me. I can start a lot of stories. Somehow finishing them seems to be my biggest obstacle. Even though I have been making greater efforts to turn ON my word document and OFF my tv, I still wander off task often. It's frustrating. I want the kind of focus others have. I want to be able to set a particular goal and complete it as a regular habit. It's the only way I am going to become the successful published author I dream to be.

     "Bumglue" as Mr. Dalton called it during his workshop at the #SIWC13, is fine, but it's not all that is required. I can sit in front of my work for hours. Not always am I writing new scenes as I set out to be. I get side tracked. I will re-read previous scenes over and over again, sometimes editing. Sometimes enjoying them for completed pieces in this gigantic puzzle. Other times, hours drain away through research. I know it's not necessary to get bogged down in the details at this moment. Too much in the details department can choke a reader.
   
I know this.

     But I find myself warring between the two sides. Write freestyle and work on it later? Or research to make sure it fits properly now. I find myself also getting stuck on reality details so much it will stop my progress in its tracks -You can probably imagine how unwelcomed that is since it's already my constant battle. How real and correct should it be? I know it doesn't have to be mirror images of a place or city, but I also want it to have enough so the readers accept it and stick to the story, instead of throwing the book against the wall. How long or short something should be? How much time should lapse between scenes? Which POV is better for that particular scene? DO readers prefer this over that?

     And, when more and more of the questions build up, I find myself coincidentally much easier to slip into a blissful distraction. A new favourite TV show. A sexy new actor. An engaging performance poet. So interested I will feel the need to find out everything about it or them, and it will draw me far away from any projects at hand, and into the comfortable world of their story- clearly leading my much further from working on my own.

     Does anyone else have these Blissful, curs-ed distractions? My most recent are Chris Hemsworth, no description needed ;), Jay Ryan & Beauty and the Beast, and the most inspiring spoken word poet Andrea Gibson. What are your current or reoccurring ones? Do you have a way to keep them at bay?